The American professional basketball player Brian Scalabrine once made headlines by claiming to non-professionals on social media that he was “closer to Lebron [James]” in talent and athleticism than any… Continue reading "Hadestown: The Musical"
Boru is a documentary about the little known yet fascinating historical connections between the Dominican Republic and Japan. The filmcraft is fine, and it is packed with short but thoughtful… Continue reading "Boru (Sosa, 2026)"
Rebecca Sonnenshine’s reimagining of Little House on The Prairie that drops on Netflix this month is passable fare for the binge-watch era, though I am uncertain whether it was necessary… Continue reading "Little House on the Prairie (2026)"
Azar Nafisi’s Reading Lolita in Tehran is one of the most beautiful and powerful memoirs I have read. Because it is a personal favorite, news of its having been adapted… Continue reading "Reading Lolita in Tehran (Riklis, 2024)"
There is a moment in the middle section of Mary Oliver: Saved by the Beauty of the World where one of the many, many, many, fans of Oliver who praise… Continue reading "Mary Oliver: Saved by the Beauty of the World (Waters, 2026)"
The claim that a film based on or adapted from a stage play suffers from its origins is such a generic critical comment that one hesitates to make it, but… Continue reading "All Saints Day (Krinsky, 2025)"
40 Dates and 40 Nights is a film so generic in its conception and structural organization that I didn’t quite believe I was enjoying it until the final credits rolled.… Continue reading "40 Dates and 40 Nights (Delaney, 2026)"
The American sports pundit Jim Rome once brutally riffed that the only thing less interesting than the details of someone else’s golf round are the details of someone else’s poker… Continue reading "Màquina (Pujol, 2026)"
In the first chapter of Inconspicuously Christian Film Criticism I suggest that for a film to fit comfortably in the genre of “Christian Fiction” it needs to be answer at… Continue reading "Holy Irresistible (Corkey, 2026)"
As presented, The Invite is fitfully funny, occasionally caustic, and consistently engaging. I enjoyed it, but I am not sure I ever believed it. I spent most of my post-screening… Continue reading "The Invite (Wilde, 2026)"
