There is a moment in the middle section of Mary Oliver: Saved by the Beauty of the World where one of the many, many, many, fans of Oliver who praise… Continue reading "Mary Oliver: Saved by the Beauty of the World (Waters, 2026)"
The claim that a film based on or adapted from a stage play suffers from its origins is such a generic critical comment that one hesitates to make it, but… Continue reading "All Saints Day (Krinsky, 2025)"
The American sports pundit Jim Rome once brutally riffed that the only thing less interesting than the details of someone else’s golf round are the details of someone else’s poker… Continue reading "Màquina (Pujol, 2026)"
In the first chapter of Inconspicuously Christian Film Criticism I suggest that for a film to fit comfortably in the genre of “Christian Fiction” it needs to be answer at… Continue reading "Holy Irresistible (Corkey, 2026)"
This film checks all the boxes that categroize an effective art documentary. There is ample, even generous, use of the artwork itself. The cooperation of the Georgia O’Keefe museum ensures… Continue reading "Georgia O’Keefe: The Brightness of Light"
Every story of Michael Jackson’s life does not need to begin and end with the reported fact that he agreed to a $23 million settlement to someone who accused him… Continue reading "Michael (Fuqua, 2026)"
Every time I review a new François Ozon film, I have to review my past notes to see if I have ever made this comparison out loud. His career and… Continue reading "The Stranger (Ozon, 2025)"
Author’s note: this review is part of jury deliberations for the 2026 Arts & Faith list of Top 25 Spiritually Significant Films Directed by Women. Long before I identified as… Continue reading "Real Genius (Coolidge, 1985)"
For the first thirty minutes or so, The President’s Cake sets up its premise — that an Iraqi girl must overcome poverty and food shortages fueled by economic sanctions against… Continue reading "The President’s Cake (Hadi, 2025)"
There is an irony or a writer’s lesson or something to be gleaned from the fact that I started the “Favorite Film Series” because I wanted an excuse to write… Continue reading "Favorite Film Series: The Godfather (Coppola, 1972)"
