All is True (Branagh, 2019)
For those who don’t know Shakespeare, or only know him superficially, the title “All is True” may sound more like an assertion than an inside joke. The film implies, without… Continue reading "All is True (Branagh, 2019)"
For those who don’t know Shakespeare, or only know him superficially, the title “All is True” may sound more like an assertion than an inside joke. The film implies, without… Continue reading "All is True (Branagh, 2019)"
#23: Arts & Faith Top 25 Spiritually Significant Films about Growing Older Frank Capra’s adaptation of the famous play by Hart & Kaufman was a bit of a surprise entry… Continue reading "You Can’t Take it With You (1938)"
Late Night is a film so affable and so relentlessly competent that I spent a full day after screening it trying to convince myself that I liked it. I didn’t.… Continue reading "Late Night (2019)"
#17: Arts & Faith Top 25 Spiritually Significant Films about Growing Older Persuasion won four BAFTA awards, including best “single drama” made for television. Yet for a film as esteemed… Continue reading "Persuasion (Michell, 1995)"
The Sower is not a great film, but it is so much better than any summary of its tawdry premise could make it sound that I’m tempted to just give… Continue reading "The Sower (Francen, 2017)"
Arts & Faith Spiritually Significant Films on Growing Old(er): #13 Carl Theodor Dreyer’s final film, Gertrud, is one of those slow, stand-offish masterpieces that tends to embolden naysayers to such… Continue reading "Gertrud (Dreyer, 1964)"
In the Spring of 1982, I switched sections of my high-school English class. Bored by the lackadaisical pace of American educational learning and being (I realize in retrospect) a bit… Continue reading "Les Misérables (Shankland, 2019)"
One can’t study J. R. R. Tolkien for very long without encountering his preface to The Lord of the Rings in which he rejects forcefully any interpretations of that work… Continue reading "Tolkien (Karukoski, 2019)"
I guess there are some features of this review that could be considered plot spoilers, although the film’s very premise renders the notion of the plot’s outcome being a “spoiler”… Continue reading "Breakthrough (Dawson, 2019)"
Raise Hell is the film I kinda hoped that Life Itself would be: angry, funny, sad, and insightful. It probes the life of its subject, always celebrating Ivins and her… Continue reading "Raise Hell: The Life & Times of Molly Ivins (Engel, 2019) — Full Frame 2019"