From the order of the title cards, the film appears to be providing a commentary that states Cheonsoo’s actions in the second half are much more laudable than his actions in the first, even though some later scenes demonstrate how inconsiderate he still can be, and his inflated opinion of himself never vanishes.
Star Wars is a brand now, not a cultural touchstone.
Allegations that Maria Schneider was sexually assaulted--perhaps even raped--while filming Last Tango in Paris aren't new. But now Bernardo Bertolucci has admitted he did not get the actress' consent to film an infamous scene in the movie.
The Fight Within, a Christian-themed movie about a reluctant Mixed Martial Arts (MMA) fighter, begins with Logan Chandler (John Major Davis) honing his skills working out at the punching bag. With each jab and thrust he flashes back to his father angrily admonishing him for some error in form or perceived error in character.
You know awards season is approach (or well underway), when people start making short lists of documentaries. What critics groups have to say about Fantastic Beasts, Doctor Strange, or Rogue One is unlikely to make much difference to these films' bottom lines. But for films that move from festival circuit almost directly to the long tail, every bit of recognition counts.
I enjoy films that reward close scrutiny, and I felt I could pause the movie at any point and mediate on the elements of composition.
New Life is one of those Christian movies that is so earnest and so sweet that one almost feels guilty about being indifferent towards it.
Tom Cruise is not my ideal choice to play Jack Reacher; let's just get that out of the way.
Monkeys on the barricades Are warning us to back away They form commissions trying to find The next one they can crucify –“Easy Silence,” The Dixie Chicks
The editors of Faith and Spirituality in Masters of World Cinema (three volumes, Cambridge Scholars Publishing) are seeking proposals for the first volume of a new series focusing on prominent… Continue reading "Call For Papers: Critical Essays on the Films of Hirokazu Koreeda"
