Captain Marvel (Boden and Fleck)
It’s been roughly four years (and a rough four years) since I gave a 1 1/2 star review to Avengers: Age of Ultron. Since then, I have admitted to liking… Continue reading "Captain Marvel (Boden and Fleck)"
It’s been roughly four years (and a rough four years) since I gave a 1 1/2 star review to Avengers: Age of Ultron. Since then, I have admitted to liking… Continue reading "Captain Marvel (Boden and Fleck)"
I first encountered the political career of Barack Obama not through a convention speech or town hall debate but through Bob Hercules’s Senator Obama Goes to Africa. I won’t say… Continue reading "Time for Ilhan (Shapiro, 2018)"
Calling a film “difficult” or “hard” is, in some respects, a no-win proposition for a reviewer. If that label is given in conjunction with a poor review, it invites barbs… Continue reading "Transit (Petzold, 2019)"
Joel Edgerton’s Boy Erased was my favorite film of 2018. It’s portrait of a young, gay man voluntarily undergoing sexual reassignment “counseling” was equal parts horrifying, heart-breaking, and challenging. But… Continue reading "The Sunday Sessions (Yeagley, 2018)"
Films about canonical investigations aren’t exactly a genre, but neither are they as rare as The Apparition seems to think. In an interview from Filmfest Munchen on the Music Box… Continue reading "The Apparition (Giannoli, 2018)"
When M. Night Shyamalan’s Split met with favorable reviews in 2016, I wondered pretty openly whether or not the film’s twist left a fresher taste in viewer’s mouths than the… Continue reading "Glass (Shyamalan, 2019)"
Awards season is upon us, and seldom has it been this late in the calendar year when I have not had at least an inkling of what the frontrunners would… Continue reading "Animation Spotlight: Two Balloons and Sgt. Stubby"
The Weight of Success is mostly a missed opportunity to explore the important topic of whether or not life coaching and/or psychology work and the more important topic of whether… Continue reading "The Weight of Success (Silverstein, 2018)"
Saroo Brierly’s memoir, A Long Way Home, is not a text that would seemingly be easy to adapt to a traditional, narrative film. It covers nearly thirty years. While the… Continue reading "3 Screenshots: Lion"
Unfortunately, in order to drive the film to the expected ringside confrontations, Creed II erases much of the nuanced character development of the original.