Dolittle (Gaghan, 2020)
I happened to screen Dolittle on the same morning I got a newsletter update from a non-profit about the Australian wildfires. I am told that over one billion animals have… Continue reading "Dolittle (Gaghan, 2020)"
Category: Disclosure
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Cats (Hooper, 2019)
There is an early episode of The Simpsons, oft-quoted in the Morefield household, in which Mr. Burns hires MLB All-Stars to play as ringers on the corporate softball team and… Continue reading "Cats (Hooper, 2019)"
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Richard Jewell (Eastwood, 2019)
For the first fifteen minutes or so, I worried that Richard Jewell was going to be little more than director Clint Eastwood caricaturizing law-enforcement and the media in some sort… Continue reading "Richard Jewell (Eastwood, 2019)"
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63 Up (Apted, 2019)
I approached 63 Up with two metanarratives about the series wrestling to frame my experience. The first narrative — and seemingly the more common one based on early reviews —… Continue reading "63 Up (Apted, 2019)"
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Linda Ronstadt: The Sound of My Voice (Epstein and Friedman, 2019)
There is a scene in Toni Morrison: The Pieces I Am — the year’s other great documentary about an iconic and influential female artist — where one of her academic… Continue reading "Linda Ronstadt: The Sound of My Voice (Epstein and Friedman, 2019)"
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Miss Arizona (McAlpin, 2018)
Miss Arizona is a hard film to dislike, but it turns out to be an even harder film to recommend. I am not typically in the habit of writing responses… Continue reading "Miss Arizona (McAlpin, 2018)"
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Edie (Hunter, 2017)
Fall is awards season, when studios begin to market and promote films for our consideration in numerous categories. Part of this process involves trying to get screeners before critics as… Continue reading "Edie (Hunter, 2017)"
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You Are Here: A Come From Away Story (Mossanen, 2018)
9/11 currently lies on the cusp between current event and history. Those of us who lived through it or adjacent to it, even if we were not directly impacted by… Continue reading "You Are Here: A Come From Away Story (Mossanen, 2018)"
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3 Screenshots: Chameleon (Mizelle, 2019)
I suppose I watch more than the usual amount of independent or micro-budget films. When I think about why, other than the Everest answer, I generally end up with one… Continue reading "3 Screenshots: Chameleon (Mizelle, 2019)"
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Ophelia (McCarthy, 2018)
Can we start by all agreeing that Ophelia is the least interesting female character in the entire Shakespearean canon? The very qualities that make her an important icon for feminists… Continue reading "Ophelia (McCarthy, 2018)"