Like Sunday, Like Rain (Whaley, 2014)
The unusual chemistry between them is passable, if again, not very remarkable.
The unusual chemistry between them is passable, if again, not very remarkable.
The film that writer/director Corbin Bernsen name checks in his video introduction is Sleepless in Seattle. My philosophy is that you respect a film most, Christian or otherwise, by approaching it on its own terms. Based on that philosophy, Christian Mingle is first and foremost a Romantic Comedy and only secondarily a Christian film.
Human Capital ("Il capitale umano") is a cross between Crash and Edith Wharton's The House of Mirth.
No doubt I’m far from the only person who skips the intros to these lists and heads directly for the meaty content, so I’ll keep my introduction succinct and just make three quick points.
James Keach’s “fly on the wall” documentary covering Glen Campbell’s farewell tour succeeds as a family portrait centered upon a man in decline due to Alzheimer’s, even if it overreaches slightly as a public service announcement.
Katie may be promiscuous, but it’s unclear whether Burnett is condemning or endorsing modern, female sexuality.
Though it takes a while to gain momentum, Emmanuelle Devos and Mathieu Amalric once again excel together in this tragicomic battle of the sexes.
Robbins says he wanted the film to cause people to ask, "What do I pay attention to in my life?" Western, middle-aged men often become "comfortably numb" and David is no exception. "He's starting to wonder if he's in decline [...], and he's starting to wonder if this is all there is."
The film almost convinced me, but then it started.