Can’t Stand Losing You: Surviving The Police (Grieve, 2012)
You will see light in the darkness / you will make some sense of this / and when you've made your secret journey / you will find the love you miss.
Category: Reviews
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The Criterion Collection: Don’t Look Now
Don't Look Now (★★★★½) is one of the rarest types of films. Not only is it an unnerving thriller saturated with supernatural themes concerning grief, deceptive appearances, ESP, and acceptance of death, but it is also one of the few films to improve on its excellent source material, the 1971 short story of the same title by Daphne du Maurier.
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Revenge of the Mekons (Angio, 2013)
The Mekons are bad. Like, really. honestly bad. They’ll be the first to tell you.
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Terminator Genisys (Taylor, 2015)
Terminator Genisys made me angry. There's plenty of films that leave me unimpressed or bored or just disatisfied. But a film has to be particularly lazy to get me mad.
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When Marnie Was There (Yonebayashi, 2014)
"In this world there's an invisible magic circle. There's an inside and an outside [....] I'm outside, but it doesn't really matter."
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Munich (Spielberg, 2005) — Ten Years Later
When something deals with religious identity or terrorism or any of the most serious questions that haunt and plague us, simply being a good movie doesn't feel quite good enough.
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The Definitive Ranking of Every Robert Bresson Film Ever!
This guy ranked every Robert Bresson film ever! What he put at #6 will blow your mind!
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Jurassic World (Trevorrow, 2015)
Jurassic World (★★) is not a bad movie, but it is such a contentedly, non-aspirationally mediocre one that it often feels worse than it is.
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The Lesson (Grozeva and Valchanov, 2014)
Seemingly harmless misdemeanors affect entire communities.
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Spy (Feig, 2015)
Here’s the twist: Spy was funny.