Human Capital (Virzi, 2013)
Human Capital ("Il capitale umano") is a cross between Crash and Edith Wharton's The House of Mirth.
Human Capital ("Il capitale umano") is a cross between Crash and Edith Wharton's The House of Mirth.
No doubt I’m far from the only person who skips the intros to these lists and heads directly for the meaty content, so I’ll keep my introduction succinct and just make three quick points.
James Keach’s “fly on the wall” documentary covering Glen Campbell’s farewell tour succeeds as a family portrait centered upon a man in decline due to Alzheimer’s, even if it overreaches slightly as a public service announcement.
Katie may be promiscuous, but it’s unclear whether Burnett is condemning or endorsing modern, female sexuality.
Though it takes a while to gain momentum, Emmanuelle Devos and Mathieu Amalric once again excel together in this tragicomic battle of the sexes.
Robbins says he wanted the film to cause people to ask, "What do I pay attention to in my life?" Western, middle-aged men often become "comfortably numb" and David is no exception. "He's starting to wonder if he's in decline [...], and he's starting to wonder if this is all there is."
The film almost convinced me, but then it started.
An animator and director (Miyazaki), a second director (Isao Takahata), and a producer (Toshio Suzuki) met over thirty-five years ago and after a few collaborations which reached their apex in 1984 with Nausicaä of the Valley of the Wind, they formed Studio Ghibli in 1985.
Steve Nash is by all accounts a well grounded, interesting, engaging fellow with whom any intelligent and articulate person could pass an hour and have great memories of a stimulating conversation.