The Creator (Edwards, 2023)
I find minority reports one of the more difficult kinds of movie reviews to write. On the one hand, I have scoffed at colleagues on social media who sometimes treat… Continue reading "The Creator (Edwards, 2023)"
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Surprised by Oxford (Whitaker, 2023)
Surprised by Oxford is a sweet but complicated film. Its many complexities, between the characters and their wants, along with particular inner struggles, piece together a story of love and… Continue reading "Surprised by Oxford (Whitaker, 2023)"
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Revoir Paris (Winocour, 2022)
Revoir Paris wasn’t a surprising or overly complex film, however, that wasn’t the intended purpose of the film. Revoir Paris displays not only the extreme kindness of strangers but also… Continue reading "Revoir Paris (Winocour, 2022)"
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Nathan-ism (Golod, 2023)
Nathan-ism is a near-miss of a documentary that has a promising subject and appears to stumble across an important and unexpected angle, but it is ultimately unable to put the… Continue reading "Nathan-ism (Golod, 2023)"
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A Haunting in Venice (Branagh, 2023)
I was surprised by how much I enjoyed A Haunting in Venice. Perhaps I should not have been. Yes, the trailer played up the Halloween connection and made it look… Continue reading "A Haunting in Venice (Branagh, 2023)"
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Freedom’s Path (Smith, 2023)
Freedom’s Path is a relentlessly, oppressively well-intentioned movie that struggles mightily to live up to the importance of its subject matter. William (Gerran Howell) is a Union deserter. Kitch (RJ… Continue reading "Freedom’s Path (Smith, 2023)"
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Madeleine Collins (Barraud, 2021)
The complaint that a film has no likable characters or no one that the viewer can relate to is one of those critical tropes that is irritating when someone else… Continue reading "Madeleine Collins (Barraud, 2021)"
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Susie Searches (Kargman, 2022)
Susie Wallis (Kiersey Clemons) is sorta like a Black Veronica Mars with braces. And if that reference now dates me, let me add that I mean it as a compliment.… Continue reading "Susie Searches (Kargman, 2022)"
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A Song for Imogene (Arlee, 2023)
There is no dearth of cultural narratives about the stultifying effects of being trapped in a small town. From Winesburg, Ohio to Footloose to Friday Night Lights, our culture is… Continue reading "A Song for Imogene (Arlee, 2023)"
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Oppenheimer (Nolan, 2023)
I am not a formal member of the Church of Nolan, though I do think he is the most consistently ambitious commercial director working today. And I think that’s a… Continue reading "Oppenheimer (Nolan, 2023)"