The Trial (Welles, 1962)
The parable, like the film itself, defies any solution. Like a Lewis Carroll riddle disguised as a Bible passage, it tantalizingly dangles points of interpretive entry only to reveal all entry points as dead ends.
The parable, like the film itself, defies any solution. Like a Lewis Carroll riddle disguised as a Bible passage, it tantalizingly dangles points of interpretive entry only to reveal all entry points as dead ends.