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Inconspicuously Christian

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  • Top 10s and Other Lists
  • Interviews
  • 10 Years Later
  • Home
  • About the author
  • Star Ratings
  • Publications
  • Reviews
  • Top 10s and Other Lists
  • Interviews
  • 10 Years Later
  • Reviews, SXSW 2016

    March 16, 2016

    Newtown (Snyder, 2016)

    It's never the common elements of these stories that get to you--it's the personal, authenticating details.

  • Film Festivals, Reviews, SXSW 2016

    March 16, 2016

    Starving the Beast: The Battle to Disrupt and Reform America’s Public Universities (Mims, 2016)

    In ninety-five minutes, director Steve Mims traces the origins of educational reform, drawing a line from Clayton Christensen's meta-narrative about "disruptive innovation" to battles over the administration of public universities in Texas, Louisiana, Wisconsin, Virginia, and North Carolina.

  • Disclosure--AS, Film Festivals, Reviews, SXSW 2016

    March 15, 2016

    Midnight Special (Nichols, 2016)

    The oddest thing about Nichols's Spielberg mashup is that its strengths and weaknesses are the exact opposite of what you might expect from the creator of Mud and Take Shelter. There are moments of iconic beauty and visual terror, but the writing is plodding and the slow pace eventually makes one realize just how little story there is to unfold. .

  • Film Festivals, Reviews, SXSW 2016

    March 14, 2016

    Fantastic Lies (Zenovich, 2016)

    Still, it's hard to overstate just how deeply resentment of Duke runs in North Carolina, how much class, race, and gender divisions made people not just want to believe the accusations were true but assume they must be.

  • Film Festivals, Reviews, SXSW 2016

    March 12, 2016

    Everybody Wants Some!! (Linklater, 2016)

    Richard Linklater's Everybody Wants Some!! isn't exactly Men With Guns--it doesn't deliberately push mainstream audiences away--but neither is it the follow up to Boyhood that I was hoping for.

  • Disclosure--DVDS, Film Festivals, Reviews, SXSW 2016

    March 11, 2016

    The Liberators (Bryant, 2016)

    Pop quiz: You find out your father/brother/uncle/neighbor stole a bunch of priceless religious artifacts from an abbey in Nazi Germany. What do you do?

  • Film Festivals, SXSW 2016, Video

    March 5, 2016

    Phil’s Camino — Sneak Peek

    Phil’s Camino gets its premiere at SXSW this month. From the film’s press release: Directed by filmmaker, pilgrim and author, Annie O’Neil and filmmaker Jessica Lewis, the engaging films tells… Continue reading "Phil’s Camino — Sneak Peek"

  • Reviews

    February 23, 2016

    An Inconvenient Truth (Guggenheim, 2006) — 10 Years Later

        In HBO’s psychotherapy melodrama In Treatment, Paul Weston (Gabriel Byrne) shares a counselor’s riddle with a patient: “Why doesn’t a cigarette smoker think a cigarette can kill him?”… Continue reading "An Inconvenient Truth (Guggenheim, 2006) — 10 Years Later"

  • 10 Years Later, Essays, Reviews

    February 7, 2016

    The Devil Wears Prada (Frankel, 2006) — 10 Years Later

    It’s morning in Manhattan and the legion of the city’s models rise. They dress in a beautiful catalog of lingerie, skirts and stilettos and open their cabinets full of luxury makeup and eyeliner. When they hail taxis with cutting precision, they clutch their designer purses in their other arms. All of this opening scene takes place to the sound of KT Tunstall 2005 pop hit, “Suddenly I See,” which is perhaps a little too on the mark. We hear lyrics like, “She’s a beautiful girl / and everything around her is a silver pool of light,” and “Suddenly I see / This is what I want to be,” and we can’t help but wonder if The Devil Wears Prada will be 109 minutes of glorifying the fashion industry.

  • Interviews, Reviews

    February 3, 2016

    “Telling a Great Story” — An Interview with Disney’s Mark Henn

    There is a certain stigma attached to adults watching animated films, as if they are doing something that is only for children. Henn works to change that misconception, “We create films that are hopefully enjoyed by everybody.”

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It is the policy of this blog that if the editor or reviewer has received from the producers or marketers of a film a complementary screener, free admission to a public (or private) screening, or any form of direct or indirect compensation for expenses incurred (such as for travel) in the process of reviewing a film, it will be noted in the tags for that film's coverage.

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