Love Free or Die (Alston, 2012)
Nobody has ever hated me the way Christians have hated me.
Nobody has ever hated me the way Christians have hated me.
Italy Love It or Leave It is a modest film, almost modest enough to work.
Peter Nicks's The Waiting Room is the sort of documentary that advocates on either side of the American health care debate could end up pointing at to bolster their ideological claims.
"The Tea Party does not represent this district, I do."
I think the thing that may disarm some viewers who are predisposed to dislike or be offended by Turn Me on Dammit! is that it isn't really, truly, in the final analysis, about the sex.
Six years after An Inconvenient Truth, it is depressing, maddening, and probably a little counterproductive that the immanent global catastrophe film has become a genre unto itself
But Mirror Mirror has Julia Roberts in it, so it must be a Julia Roberts movie. I like Julia Roberts. I found her charming in Notting Hill and I respect her work in other places. I think, however, her persona is wrong for the material. Her evil queen has neither the icy malevolence to be truly scary, nor the whiff of desperation to be at all sympathetic.
Bill Nichols’s Engaging Cinema: An Introduction to Film Studies is a textbook that not only recognizes that the Internet exists but also understands how the presence of the Internet can make textbooks cheaper.
Art is…The Permanent Revolutionhas a simple basic structure. It segues between philosophical ruminations about the relationship between printmaking and politics, observations of the creation of several new pieces, and montages of completed works of political art from a wide array of artists.
The film tells the story of Bill Courtney, a high school football coach and his players at Manassas High School in Memphis Tennessee.