Levitated Mass (Pray, 2013)
Levitated Mass is one of those delightful, obscure but unheralded documentaries that always seems to congregate around my the bottom of my list of annual favorites.
Levitated Mass is one of those delightful, obscure but unheralded documentaries that always seems to congregate around my the bottom of my list of annual favorites.
Even if, like me, you care little for Brown's music, there is still a lot in the film about race, gender relations, friendship, loyalty, sacrifice, childhood, and determination to give you plenty to think about.
Like its protagonist, Wet Behind the Ears is unpolished but still willing to work for our approval. The characters do acknowledge how difficult it is to be (young and) unemployed, but the film doesn't wrap those acknowledgements in a most-put-upon-generation entitlement blanket.
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Much as with George Sluizer's The Vanishing--another horrific film that I can't quite understand why anyone esteems--I find that Cannibal's stylish beauty doubles rather than mitigates the repulsion I feel at the film's lack of humanity. If you aren't going to tell me anything true, at least don't try to trick me into thinking it's not ugly.
The United Nations estimated in 2000 that there are approximately 5,000 honor killings each year. Can a movie adequately address the horror of knowing your family wants you dead?
While the opening ten minutes of the film certainly bring to light the great questions facing Americans as to religious orientation, the following eighty are little more than the typical action thriller.
The fatalism imbuing the characters and the film is certainly representative of what many couples feel in middle-age, a period in which there are as many or more choices behind them as awaiting them and where the quality of a relationship is influenced as much by the fruit of past decisions as the pleasurable contemplation of future ones.
A sweet, fun movie that will please everyone except the boomers who will want to insist their sweet, fun movies were better
Richie Mehta's Siddharth has been the film that I have admired the most in an overall lackluster 2014. So when I found out that he wrote and directed I'll Follow You Down, a sci-fi drama with many similar themes as its less commercial counterpart, I was anxious to see it.