Bad Words (Bateman, 2013)
Bad Words is the third film I have seen in as many weeks featuring an emotionally arrested adult male mentoring an adolescent boy.
Category: Disclosure–AS
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Endless Love (Feste, 2014)
Endless Love is a bad movie, and, yeah, I pretty much liked it.
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The Monuments Men (Clooney, 2013)
The Monuments Men is perhaps only a failure in comparison to its unrealized potential. The whole way home I kept thinking, "But it's such a great idea for a movie."
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Mars at Sunrise (Habie, 2014)
Films about Israeli-Palestinian conflicts, while not exactly a dime a dozen in the United States, are enough of a staple of world cinema that upon hearing of a new one the first question is usually not "is it good?" but "does it distinguish itself?"
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God’s Not Dead (Cronk, 2014)
My problems with God's Not Dead are almost all ones of execution, not concept.
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Frozen (Buck and Lee, 2013)
Evaluating Disney films in a DVD era has become a complicated calculus.
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It’s Better to Jump (Angelone, 2013)
It's Better to Jump is one of those films that sounds better in a summary than it ends up being.
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Ender’s Game (Hood, 2013)
I've spent the three days between viewing and reviewing Ender's Game listlessly trying to convince myself that the film didn't suck.
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Escape Plan (Håfström, 2013)
Every good escape plan needs three things:
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Running Wild: The Life of Dayton O. Hyde (Mitchell, 2013)
Running Wild: The Life of Dayton O. Hyde is a new documentary film about (as the title suggests) the eventful life of cowboy Dayton O. Hyde, who describes himself as “a cowboy first, a conservationist second, and a writer third.”