Cobra Kai — Season 3
Whether you are a critic, a fan, or something in-between, you have no doubt experienced the delicious pleasure of discovering a show or a band or a film before it… Continue reading "Cobra Kai — Season 3"
Whether you are a critic, a fan, or something in-between, you have no doubt experienced the delicious pleasure of discovering a show or a band or a film before it… Continue reading "Cobra Kai — Season 3"
When someone he has befriended leaves the Ku Klux Klan, he often gives Daryl Davis the robe he wore as a member of that group. Over the years, Davis, by… Continue reading "Accidental Courtesy: Daryl Davis, Race & America (Ornstein, 2016)"
Love Sarah begins immediately after the death of the titular character, whom we are told was a world class chef. Sarah’s partner reluctantly agrees to sell the restaurant space, and… Continue reading "Love Sarah (Schroeder 2020)"
Jane Austen’s Pride & Prejudice had a working title of First Impressions. Although she did not ultimately use that title for any of her novels, it remained a running theme… Continue reading "Modern Persuasion (Appel & Lisecki, 2020)"
The beginning and ending of Another Round are very strong. Thomas Vinterberg’s portrait of an alcoholic culture is quite effective at varying its tone — demonstrating the highs as well… Continue reading "Another Round (Vinterberg, 2020)"
James Erskine’s Billie is a little gem of a documentary, more oral history than biography. That is arrives streaming this week with little fanfare is mildly surprising but entirely shocking.… Continue reading "Billie (Erskine, 2020)"
The Croods: A New Age unfolds like an American football game where a perennial 5-11 team (I’m looking at you, Washington) grabs a first quarter lead. For a short while,… Continue reading "The Croods: A New Age (Crawford, 2020)"
Alex Gibney is the rare documentarian who usually ends up convincing me regardless of whether or not I start on the same side of his arguments. Taxi to the Dark… Continue reading "Crazy, Not Insane (Gibney, 2020)"
Like its protagonists, Han Van Meegeren and Joseph Piller, The Last Vermeer is unassuming. Its subject — the looting of European art by the Nazis — was covered more dramatically… Continue reading "The Last Vermeer (Friedkin, 2020)"