Tag: Faiza Ahmad Khan

  • Supermen of Malegaon (Khan, 2009)

    When dealing with documentaries of one place (in this case Malegaon, India) for the viewing consumption of another (in this case, America), I tend to think there are two basic categories: those films that emphasize the ways in which once we get beyond the surface differences of culture humans are all the same, and those films that emphasize the otherness of the foreign (to the viewer) culture and the people who occupy it.