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Inconspicuously Christian

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  • Home
  • About the author
  • Star Ratings
  • Publications
  • Reviews
  • Top 10s and Other Lists
  • Interviews
  • 10 Years Later
  • Disclosure--AS, Full Frame Documentary Film Festival 2013, Reviews

    March 31, 2013

    Remote Area Medical (Reichert & Zaman, 2013)

    It is hard to think of a proclamation of Jesus that is harder to understand--or believe--than "blessed are the poor in spirit for theirs is the kingdom of heaven." I bring this up in the context of considering Remote Area Medical, Jeff Reichert's and Farihah Zaman's documentary because (at least in the first half) the directors focus on the recipients rather than the dispensers of free medical care. They are consistently, if not universally, a hard bunch to love:

  • Disclosure--AS, Reviews

    March 30, 2013

    Venice Souvenir (Gaffin, 2013)

    Comprised of dozens of short (one or two minute) vignettes, Venice Souvenir attempts to capture the unique flavor of the location that allegedly gets more tourists than Disney Land.

  • March 26, 2013

    In America (Sheridan, 2003) — 10 Years Later

    Between 1989 and 2003, Jim Sheridan was nominated for six Academy Awards. Three were for writing, two for directing. The last last was as the producer for a best picture… Continue reading "In America (Sheridan, 2003) — 10 Years Later"

  • Disclosure--DVDS

    March 4, 2013

    A Royal Affair (Arcel, 2012)

    The themes of surrendering to a self-torturing, illicit passion is rote, but the theme of struggling with a temptation to seize power for the greater good...well, okay, it's pretty rote, too.

  • Reviews

    March 2, 2013

    Searching for Sugar Man (Bendjelloul, 2012)

    In sublimating every other theme to it, he ends up repressing the film's potential greatness for too long, never fully exploring the deeper questions that transcend the idle narrative curiosity imposed by the artifically constructed mystery.

  • 10 Years Later, Reviews

    February 23, 2013

    Finding Nemo (Stanton and Unkrich, 2003) — 10 Years Later

    The older and more experienced I get, the more confidence I have in my own judgment. That's as it should be. When it comes to "family films," however, it feels as though each passing year allows me to drift further and further from any sort of critical consensus about what is desirable within the genre and what particular films meet the criteria for meriting praise.

  • Reviews

    February 10, 2013

    Amour (Haneke, 2012)

    Negative reviews or critically acclaimed movies are like exclamation points: one only gets an indeterminate but exhaustible number in life before people stop paying attention. Indifferent reviews are more like semi-colons: people begrudgingly admit you are correct but hate you anyway for being such a smarty-pants.

  • Disclosure--AS, Reviews

    January 24, 2013

    Hansel & Gretel: Witch Hunters (Wirkola, 2013)

    From column one select a famous name (historical or fictional). From column two select a mythical creature. From column three select a verb that is in the thesaurus as a synonym for "kill." Ready? Go. Winnie the Pooh: Mummy Exterminator. Ronald Reagan: Unicorn Euthanizer. Johnny Unitas: Mermaid Slayer. Jack and Jill: Mothra Extinguisher. Congratulations, you've just green lit the 2014 winter movie season.

  • Disclosure--AS, Reviews

    January 19, 2013

    Crossroad (Youssefian 2012)

    The problem with Crossroad is not that it is Christian nor even that it is preachy. There is a market for this sort of film and those who approve of what the artists are attempting are historically more or less deaf to the cries of critics about how skillfully or artistically they are doing it.

  • Disclosure--AS, Reviews

    January 12, 2013

    Little Red Wagon (Anspaugh, 2012)

    The simple narrative and self-consciously "PG" script will no doubt prompt Lifetime movie comparisons from some (sarcastic) circles, but a strong cast and crew keep the film from succumbing to excessive bathos.

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It is the policy of this blog that if the editor or reviewer has received from the producers or marketers of a film a complementary screener, free admission to a public (or private) screening, or any form of direct or indirect compensation for expenses incurred (such as for travel) in the process of reviewing a film, it will be noted in the tags for that film's coverage.

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