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Inconspicuously Christian

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  • Home
  • About the author
  • Star Ratings
  • Publications
  • Reviews
  • Top 10s and Other Lists
  • Interviews
  • 10 Years Later
  • Disclosure--AS, Reviews, Toronto International Film Festival 2013

    September 27, 2013

    Don Jon (Gordon-Levitt, 2013)

    Kenneth R. Morefield reviews Don Jon at 1More Film Blog.

  • Disclosure--AS, Interviews

    September 23, 2013

    The Muslims are Coming! (Farsad & Obeidallah)

    When asked if their project assumes that Americans (or Christians) are more intolerant or Islamophbic than anyone else, Obeidallah demurred saying they were not so naive as to believe that “any one religion or group could hold a monopoly on prejudice.”

  • Disclosure--AS, Reviews, Toronto International Film Festival 2013

    September 20, 2013

    Gravity (Cuarón, 2013)

    Any good political pollster can tell you that the answer is influenced by the way the question is framed. Film critics usually think the question they are answering is, "Was it any good?" The question I get asked the most, however, is, "Did you like it?"

  • Reviews, Toronto International Film Festival 2013

    September 11, 2013

    Under the Skin (Glazer, 2013)

    The director himself opined that he thought the second half of the film was about "the drift towards moral intuition [and ...] the stuff that makes us human."

  • Disclosure--AS, Reviews

    September 6, 2013

    Tio Papi (Rojas, 2013)

    Despite the one misgiving about racial stereotyping, I thought Tio Papi was a good family film.

  • Disclosure--AS, Disclosure--SEOL, Reviews

    September 6, 2013

    Riddick (Towhy, David)

    After the first seven minutes, I was worried, but then I realized the first seven minutes were actually a preview for a Metallica concert film.

  • Disclosure--AS, Reviews

    September 2, 2013

    The Ultimate Life (Landon, Jr., 2013)

    When we stop asking our films to save the lost while entertaining the justified and just let them do one or the other, I expect we'll all be a lot happier.

  • Elsewhere

    August 28, 2013

    The Bourne Identity (Liman, 2002)

    One of the more interesting moments in The Bourne Identity comes about a quarter of the way through the film. Franka Potente plays Marie Kreutz, a woman who has agreed to drive a stranger to Paris in exchange for $10,000

  • Reviews

    August 25, 2013

    Taxi Driver (Scorsese, 1976)

    Given that admission, there's no real upside to admitting that Taxi Driver doesn't float my boat.

  • Disclosure--AS

    August 21, 2013

    You’re Next (Wingard, 2013)

    Making a horror movie must be a little like writing a sonnet. The form is so familiar that even non-fans have been exposed to a lot of them. The (relative) simplicity of the form in conjunction with that exposure makes it attractive to creators: I can do that! It also makes it a challenge for creators and consumers alike: We've seen that!

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It is the policy of this blog that if the editor or reviewer has received from the producers or marketers of a film a complementary screener, free admission to a public (or private) screening, or any form of direct or indirect compensation for expenses incurred (such as for travel) in the process of reviewing a film, it will be noted in the tags for that film's coverage.

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