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  • Home
  • About the author
  • Star Ratings
  • Publications
  • Reviews
  • Top 10s and Other Lists
  • Interviews
  • 10 Years Later
  • Film Festivals, Reviews, Toronto International Film Festival 2010

    September 16, 2010

    Anything You Want (Mañas, 2010)

    Botto plays Leo, a Spanish lawyer with a wife, child, and healthy masculine disgust at all things homosexual. When his wife dies of a seizure and he can't bring himself to answer his daughter's pleas for a surrogate mom, he gradually begins dressing as the deceased mom to help the child cope.

  • Film Festivals, Reviews, Toronto International Film Festival 2010

    September 15, 2010

    Tamara Drewe (Frears, 2010)

    Stephen Frears's Tamara Drewe is essentially a Restoration sex comedy set in the English countryside.

  • Elsewhere, Reviews, Toronto International Film Festival 2010

    September 14, 2010

    The Illusionist (Chomet, 2010)

    So The Illusionist himself could be seen as a symbol of the traditional animator seeing his (or her) craft become a lost art.

  • Film Festivals, Toronto International Film Festival 2010

    September 14, 2010

    Of Gods and Men (Beauvois, 2010)

    I was glad that I saw Xavier Beauvois’s Of Gods and Men on the same day of the Toronto International Film Festival in which I saw Miral. The films, perhaps,… Continue reading "Of Gods and Men (Beauvois, 2010)"

  • Film Festivals, Reviews, Toronto International Film Festival 2010

    September 13, 2010

    Never Let Me Go (Romanek, 2010)

    I will cop to saying that Ishiguro is on my short list of greatest living writers in English and that Remains of the Day (also based on an Ishiguro novel) is one of my two or three all time favorite novel to film adaptations, so I'm not without baggage of my own in this debate.

  • Film Festivals, Toronto International Film Festival 2010

    September 11, 2010

    Jucy (Alston, 2010)

    I'm a little suspicious, though, about people who make films about their own friendships.

  • Film Festivals, Toronto International Film Festival 2010

    September 10, 2010

    The Way (Estevez, 2010)

    There's not a whole lot about Emilio Estevez's The Way that doesn't ring true. Given the fact that the film tackles some of life's deepest emotions and largest themes--grief, love, faith, community--that's quite a compliment.

  • Film Festivals, Reviews, Toronto International Film Festival 2010

    September 10, 2010

    Inside Job (Ferguson, 2010)

    A repeated hypothesis of Ferguson and his team was that such chutzpah comes from sustained periods of never being challenged--even as to obvious, verifiable facts--once one has been granted "inside" or "expert" status.

  • Reviews

    September 7, 2010

    Alfred Hitchcock and the Making of Psycho (Rebello, 1990)

    Perhaps it is anathema for me to say, being an academic, but there is something refreshing about reading a film book that eschews theory, that is interested in documenting the production history of a beloved film rather than deconstructing it and is more interested in telling us what the people who made the film said than it is in explaining what they (must have) meant.

  • Reviews

    August 27, 2010

    Takers (Luessenhop, 2010)

    If it invites but doesn't quite earn comparisons to Michael Mann's Heat, well, at least it has its sights set in the right direction.

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