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Inconspicuously Christian

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  • About the author
  • Star Ratings
  • Publications
  • Reviews
  • Top 10s and Other Lists
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  • 10 Years Later
  • Home
  • About the author
  • Star Ratings
  • Publications
  • Reviews
  • Top 10s and Other Lists
  • Interviews
  • 10 Years Later
  • Disclosure--DVDS, Reviews

    February 13, 2011

    Candyman: The David Klein Story (Botes, 2010)

    Klein came up for the idea of Jelly Belly, the gourmet jelly bean that comes in a myriad of different flavors, and, as related in the documentary Candyman, he ended up selling his stake in the company for a tidy profit that turned out to be a small percentage of its eventual worth.

  • 10 Years Later, Reviews

    February 5, 2011

    Swordfish (Sena, 2001)

    I did not ultimately select Dominca Sena's film as my least favorite viewing experience of the year--more on the film that got that designation later in this series--but both in revisiting the film and my review of it, I wonder that I did not.

  • 10 Years Later, Reviews

    January 29, 2011

    Monsters, Inc. (Docter, Silverman, Unkrich, 2001)

    You know the biggest shock about revisiting Monsters, Inc. ten years later? It was the "Coming Soon" preview for Disney's Treasure Planet.

  • Disclosure--AS

    January 21, 2011

    No Strings Attached (Reitman, 2011)

    I don't feel too grinch-like in saying I didn't believe the film since the film doesn't really believe itself.

  • Elsewhere, Reviews

    January 10, 2011

    Black Swan (Aronofsky, 2010)

    Were he still alive today, I can't help thinking that Black Swan would've been the late Japanese playwright, melodramatist and exhibitionist Yukio Mishima's all-time favorite movie...and I also recall how the costume designer Eiko Ishioka once mentioned Mishima's aesthetics were "in very poor taste."

  • 10 Years Later, Reviews

    January 7, 2011

    The Lord of the Rings: The Fellowship of the Ring (Jackson, 2001)

    I tried hard to view the film afresh, to convince myself that my negative (and, hence, admittedly minority) view of the franchise had more to do with a knee-jerk reaction against its spectacular popularity than it did to any great failure on the film's part.

  • Disclosure--AS, Reviews

    January 6, 2011

    Country Strong (Feste, 2010)

    The religion stuff is a red herring, though, I know. It wouldn't bother me if I was focused on the story or if I could see these characters as realistic people with actual human flaws.

  • 10 Years Later

    January 4, 2011

    10 Years Later…

    I have long held that film writing reveals as much about the author as the subject. How have my tastes changed? How much can changing the context change the experience of the film? Do some films hold up better to second (or in some cases third, fourth, or twentieth) viewings, and, if so, is that an important descriptor of quality? Where was I right? Were there places where I was wrong? And if I now think I was wrong, do I understand what caused me to be wrong?

  • 2010 Favorite Discoveries, Top 10s and Other Lists

    December 29, 2010

    2010 Favorite Discoveries

    So here it is--a list of my ten favorite "new to me" films. These are films that I first screened in 2010 even though they have been previously released.

  • Emergenetics, Podcasts

    December 22, 2010

    Emergenetics and The Blind Side — 1More Podcast Episode 10*

    Certified Emergenetics trainer Erik Kieser joins Cindy and Ken on the podcast to discuss The Blind Side and how films can illustrate the behavioral and thinking preferences Emergenetics profiles.

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It is the policy of this blog that if the editor or reviewer has received from the producers or marketers of a film a complementary screener, free admission to a public (or private) screening, or any form of direct or indirect compensation for expenses incurred (such as for travel) in the process of reviewing a film, it will be noted in the tags for that film’s coverage.

Ken is an “individually approved” critic at Rotten Tomatoes, meaning that reviews he posts here (or at Christianity Today) are eligible to count toward the Rotten Tomatoes score. Publicists or filmmakers contacting Ken in hopes of getting a Rotten Tomatoes score should be aware that Rotten Tomatoes will not accept links for reviews for which I have received monetary compensation in exchange for review consideration from any party (including third parties) except a site editor. Reviews appearing at 1More Film Blog not written by Ken are not eligible to be uploaded to Rotten Tomatoes.

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