The Chronicles of Narnia: The Voyage of the Dawn Treader (Apted, 2010)
Which do you trust more: a gushing rave from a person who went into a film enthusiastic to begin with, or grudging respect from a skeptical viewer who had to be won over?
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Tangled (Greno & Howard, 2010)
Home runs hit with two strikes count the same as home runs that leave the park on the first swing.
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Cool It (Timoner, 2010)
Funny thing, though, once the film exonerates Lomborg from the mutually exclusive charges that he is a feckless idiot providing ammunition for those who would fiddle while the world burns and a knowing hypocrite who lies for a living, it actually settles down into an interesting, thought-provoking, and useful examination of the pros and cons of various approaches for dealing with global climate change.
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Directors: Life Behind the Camera (2010)
Want to know how Robert Altman got started in making films? What does Cameron Crowe consider his most compelling film? Does Martin Scorsese think the film industry will survive? Is Spike Lee's approach to dealing with actors the same as George Lucas's?
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John Sayles Interview
“You know, you can’t make a movie about war and occupation without it being about other wars and other occupations."
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The King’s Speech (Hooper, 2010)
Fresh on the heels of winning the Cadillac People's Choice Award at the Toronto International Film Festival, Tom Hooper's The King's Speech is set to be a gala presentation at AFI Fest. My write up of the film for AFI FEST NOW is now up at that site.
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Conviction (Goldwyn, 2010)
The pitch sounds like a “can’t miss” movie, and Minnie Driver, Juliette Lewis, and Melissa Leo combine with Swank and Rockwell to give the film a cast that is truly impressive. That the film is not more engaging can be attributed to two script and direction problems.
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Blue Valentine — 1More Podcast Episode 7c
In which Cindy helps Ken talk himself off the fence and into appreciating Blue Valentine. Also, when a film's characters seem to violate your personal moral beliefs, what the NC-17 film has in common with Easy A, and suggestions for how to get the most out of a film festival experience.
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Stone (Curran, 2010)
Director John Curran made two perhaps inadvertently telling comments to the Toronto Film Festival audience following the festival screening of Stone. He said that when Edward Norton originally read the script, he passed on playing the title character with the comment that he “just didn’t see it.”
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Marwencol (Malmberg, 2010)
Marwencol is a fascinating blend of two different genres, the artist documentary and the therapy film, with Mark acting as his own therapist--probing and prodding and--this is key for me--moving towards an end.