Do It Again (Patton-Spruill, 2010)
Boston Globe music journalist Geoff Edgers states in his brief and lovable documentary Do It Again, “Pieces of the Kinks are still floating around out there, but we need the real thing.”
Boston Globe music journalist Geoff Edgers states in his brief and lovable documentary Do It Again, “Pieces of the Kinks are still floating around out there, but we need the real thing.”
I’ll cop to my own biases here rather than try to slough them off on them film. I’ve long been puzzled (and maybe frustrated) by evangelical or fundamentalist Christians (or members of communities who identify themselves as such) who will oppose legalized abortion on demand or stem cell research with the zealous, absolute certainty of the righteous and yet turn around and willingly participate (as consumers or support) in forms of surrogate pregnancy that may include the transportation or destruction of fertilized eggs.
Because society often sends the message--overt or implied--that whether or not you are a "good person" is dependent on whether you can or will forgive, victims of serious or continued abuse may feel isolated, even when their experiences are common.
No pretentious film critic ever made himself look smarter than everyone else (or ahead of the curve) by walking out of a major film festival shouting, “Campion! Hornby! Kore-eda!” or “me too!”
As a professional literature teacher, I always feel guilty about not getting behind the Cormac McCarthy bandwagon. Surely anything that promotes reading of a more literate kind, that gets people to take serious literature seriously, ought to be championed, embraced...revered.
Helter Skelter + Saved! + South Park with a dash of Rocky Horror Picture Show thrown in. Now write a review for a Christian audience. My try is at CT Movies.
Jane Campion's Bright Star is a heartfelt, carefully drawn, masterpiece of a love story, It contains all the fire and penetration one would expect from a Campion film, but there is also a surprising--and welcome--tenderness as well.
Films that depict communal religious life with nuance and sympathy are rare, and those that probe without cliché the relationships, communal and familial, between women are rarer still. So why… Continue reading "Vision (von Trotta, 2009)"
Day one of the Toronto International Film Festival got off to a spectacular start with Lone Scherfig’s direction of a Nick Hornby script. I’ve posted some comments at The Christianity… Continue reading "An Education (Scherfig, 2009)"