God’s Not Dead (Cronk, 2014)
My problems with God's Not Dead are almost all ones of execution, not concept.
Category: Disclosure
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The Truth About Emanuel (Gregorini, 2013)
The Truth About Emanuel is one of those films that reveals its twist about a third of the way through. In most such films, this act is a signal that the film isn't really about the twist.
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Enough Said (Holofcener, 2013)
I happened to see Enough Said the day after screening Inside Llewyn Davis. Both films featured caustic--some might say cruel--women verbally abusing the men they once partnered.
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Blackfish (Cowperthwaite, 2013)
While I never quite felt like I was watching a snuff film, I could also never shake the suspicion that I might soon be.
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Approaching Midnight (Khaleghi, 2013)
This movie isn't that bad. The acting is, but the plot isn't.
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Frozen (Buck and Lee, 2013)
Evaluating Disney films in a DVD era has become a complicated calculus.
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It’s Better to Jump (Angelone, 2013)
It's Better to Jump is one of those films that sounds better in a summary than it ends up being.
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Church Hoppers
It's hard to combine reality television with church.
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Aftermath (Pasikowski, 2012)
It's not surprising, then, to find the film is about antisemitism. What was surprising to me was how fresh it managed to be even while dealing with a subject that is as old as Western civilization.
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All She Can (Wendel, 2011)
College—it’s Luz Garcia’s dream—it’s her only way of escaping the big trouble of her small town.