Heaven is for Real
1More Film Blog is giving away a free DVD of Heaven is For Real to one lucky reader.
Category: Disclosure
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Cannibal (Cuenca, 2013)
Much as with George Sluizer's The Vanishing--another horrific film that I can't quite understand why anyone esteems--I find that Cannibal's stylish beauty doubles rather than mitigates the repulsion I feel at the film's lack of humanity. If you aren't going to tell me anything true, at least don't try to trick me into thinking it's not ugly.
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Honour (Khan, 2014)
The United Nations estimated in 2000 that there are approximately 5,000 honor killings each year. Can a movie adequately address the horror of knowing your family wants you dead?
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Persecuted (Lusko 2014)
While the opening ten minutes of the film certainly bring to light the great questions facing Americans as to religious orientation, the following eighty are little more than the typical action thriller.
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Before Midnight (Linklater, 2013)
The fatalism imbuing the characters and the film is certainly representative of what many couples feel in middle-age, a period in which there are as many or more choices behind them as awaiting them and where the quality of a relationship is influenced as much by the fruit of past decisions as the pleasurable contemplation of future ones.
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Earth to Echo (Green 2014)
A sweet, fun movie that will please everyone except the boomers who will want to insist their sweet, fun movies were better
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I’ll Follow You Down (Mehta, 2013)
Richie Mehta's Siddharth has been the film that I have admired the most in an overall lackluster 2014. So when I found out that he wrote and directed I'll Follow You Down, a sci-fi drama with many similar themes as its less commercial counterpart, I was anxious to see it.
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Burning Bush (Holland, 2013)
I am about to recommend a four hour movie--a three episode television miniseries, actually--in Czech, about a dissident student who sets himself on fire to protest the occupation of his country by the Soviet Union.
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Peter Brook: The Tightrope (Brook, 2012)
Film critics don't talk about acting much these days. Have they ever?
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The Thin Place #46: Violence in The Edge of Tomorrow
Back after a hiatus, Ken and Todd discuss Doug Liman's sci-fi film, The Edge of Tomorrow. Why is the way violence is represented in the film particularly disturbing? Are we intended to laugh at it? And why does Todd say the movie reminded him of watching someone play a video game?