Burning Bush (Holland, 2013)
I am about to recommend a four hour movie--a three episode television miniseries, actually--in Czech, about a dissident student who sets himself on fire to protest the occupation of his country by the Soviet Union.
Category: Disclosure
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Peter Brook: The Tightrope (Brook, 2012)
Film critics don't talk about acting much these days. Have they ever?
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The Thin Place #46: Violence in The Edge of Tomorrow
Back after a hiatus, Ken and Todd discuss Doug Liman's sci-fi film, The Edge of Tomorrow. Why is the way violence is represented in the film particularly disturbing? Are we intended to laugh at it? And why does Todd say the movie reminded him of watching someone play a video game?
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Burt’s Buzz (Shapiro, 2013)
The film strives so hard to model its subject that its practically not there.
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Manuscripts Don’t Burn (Rasoulof, 2013)
The setting of Manuscripts Don't Burn may be painstakingly specific, but its themes are broad, perhaps even universal. How much are we willing to risk, to sacrifice, for freedom of speech? Why does one act of violence seemingly begin a never ending chain?
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22 Jump Street (Lord & Miller, 2014)
For now, I'll will just say that my defense of 22 Jump Street is nearly identical to my defense of Moms' Night Out. You can make a list as long as my arm of things wrong with the movie, and I won't disagree. But I laughed.
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Kids’ Rights: The Business of Adoption (Dudko and Rudnieva, 2014)
A new documentary claims that there are over 132 million orphans in state custody. In a given year, less than 1 in 500 of them will be adopted. Are restrictions against perspective parents too rigorous? Why are those willing to parent being turned away?
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Frank vs. God (Schill, 2014)
Frank vs. God is one of my favorite films thus far into the movie year, and it is without a doubt one of the better "religious" films of those recently released.
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No God, No Master (Green, 2012)
Nobody in No God, No Master actually utters the phrase "those who forget the past are condemned to repeat it," but that sentiment is the subtext of nearly line of dialogue in this historical drama about the Palmer Raids.
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Locke (Knight, 2014)
It is a good movie, certainly, and it is not writer/director Steven Knight's fault that we live in an age that appears only to recognize two critical verdicts: awesome or awful. There is less room in the conversation for the good, modest movie.