Edie (Hunter, 2017)
Fall is awards season, when studios begin to market and promote films for our consideration in numerous categories. Part of this process involves trying to get screeners before critics as… Continue reading "Edie (Hunter, 2017)"
Category: Disclosure
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You Are Here: A Come From Away Story (Mossanen, 2018)
9/11 currently lies on the cusp between current event and history. Those of us who lived through it or adjacent to it, even if we were not directly impacted by… Continue reading "You Are Here: A Come From Away Story (Mossanen, 2018)"
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3 Screenshots: Chameleon (Mizelle, 2019)
I suppose I watch more than the usual amount of independent or micro-budget films. When I think about why, other than the Everest answer, I generally end up with one… Continue reading "3 Screenshots: Chameleon (Mizelle, 2019)"
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Ophelia (McCarthy, 2018)
Can we start by all agreeing that Ophelia is the least interesting female character in the entire Shakespearean canon? The very qualities that make her an important icon for feminists… Continue reading "Ophelia (McCarthy, 2018)"
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Spider-Man: Far From Home (Watts, 2019)
Spider-Man: Far From Home has something that has been increasingly hard to find in the Marvel Cinematic Universe he last few years: fun. From its winking opening scene of a… Continue reading "Spider-Man: Far From Home (Watts, 2019)"
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Emanuel (2019)
Emanuel is the sort of reverential documentary that is pointless to criticize yet hardly allows for ambivalent praise. At the root of my ambivalence, I suspect, is the age-old difficulty… Continue reading "Emanuel (2019)"
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Before Stonewall (Schiller, 1985)
Before Stonewall is being restored and reissued. Viewers in North Carolina may have to wait until August to see it in theaters, or they can get a rental from First… Continue reading "Before Stonewall (Schiller, 1985)"
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All is True (Branagh, 2019)
For those who don’t know Shakespeare, or only know him superficially, the title “All is True” may sound more like an assertion than an inside joke. The film implies, without… Continue reading "All is True (Branagh, 2019)"
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Late Night (2019)
Late Night is a film so affable and so relentlessly competent that I spent a full day after screening it trying to convince myself that I liked it. I didn’t.… Continue reading "Late Night (2019)"
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The Sower (Francen, 2017)
The Sower is not a great film, but it is so much better than any summary of its tawdry premise could make it sound that I’m tempted to just give… Continue reading "The Sower (Francen, 2017)"