The Flood (Woodley, 2019)
Wendy is an immigration officer working in the U.K. Daily, she listens to the stories of desperate refugees and determines their fate. Do they stay, or do they return? She… Continue reading "The Flood (Woodley, 2019)"
Wendy is an immigration officer working in the U.K. Daily, she listens to the stories of desperate refugees and determines their fate. Do they stay, or do they return? She… Continue reading "The Flood (Woodley, 2019)"
There are two potential documentaries here kicking one another like fraternal twins in a womb, each hoping to emerge first. One is a rather easy to follow allegation of gender… Continue reading "Beyond the Visible — Hilma af Klint (Dyrschka, 2019)"
There are things that you know — in your head, intellectually — that still hit you hard when you are confronted with them in reality rather than merely as abstractions.… Continue reading "Streetlight Harmonies (Wilson, 2020)"
A not so funny thing happened on the way to and through Oscar So White. Actually, it happened before then. It’s been going on for as long as I’ve been… Continue reading "Burden (Heckler, 2019)"
My fear going into Top End Wedding was that it would be My Big Fat Greek Aboriginal Wedding or Crazy Non-Rich Non Asians. What I got was a pleasant surprise.… Continue reading "Top End Wedding (Blair, 2019)"
For the first fifteen minutes or so, I worried that Richard Jewell was going to be little more than director Clint Eastwood caricaturizing law-enforcement and the media in some sort… Continue reading "Richard Jewell (Eastwood, 2019)"
I approached 63 Up with two metanarratives about the series wrestling to frame my experience. The first narrative — and seemingly the more common one based on early reviews —… Continue reading "63 Up (Apted, 2019)"
There is a scene in Toni Morrison: The Pieces I Am — the year’s other great documentary about an iconic and influential female artist — where one of her academic… Continue reading "Linda Ronstadt: The Sound of My Voice (Epstein and Friedman, 2019)"
Miss Arizona is a hard film to dislike, but it turns out to be an even harder film to recommend. I am not typically in the habit of writing responses… Continue reading "Miss Arizona (McAlpin, 2018)"