Little Red Wagon (Anspaugh, 2012)
The simple narrative and self-consciously "PG" script will no doubt prompt Lifetime movie comparisons from some (sarcastic) circles, but a strong cast and crew keep the film from succumbing to excessive bathos.
Category: Disclosure–AS
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Les Misérables (Hooper, 2012)
Watching Les Misérables is a bit like listening to a young pop star do a cover of a Beatles classic. She can have all the talent in the world, but it still sounds somehow wrong.
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The Hobbit: An Unexpected Journey (Jackson, 2012)
Parts are camp comedy, parts CGI sword slashing, parts solemn intonations about fate and when not to kill.
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The Central Park Five (Burns, Burns, and McMahon)
The most depressing thing about The Central Park Five, for me, was its only hazy familiarity.
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Macky Alston Interview
“God’s Mandate is to Love One Another”
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Wonder Women!: The Untold Story of American Superheroines (Guevara-Flanagan, 2012)
Wonder Women!: The Untold Story of American Superheroines is a serviceable if somewhat superficial summary of the American feminist movement as reflected through the representation of female heroes in comic books, television, and film.
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Leviathan (Castaing-Taylor and Paravel, 2012)
Leviathan is not a narrative film.
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La Source (Shen, 2012)
Everyone thinks they would be more generous if they had just a little more.
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The Law in These Parts (Alexandrowicz 2011)
What is the difference been "occupied" and "held" territories?