The Monuments Men (Clooney, 2013)
The Monuments Men is perhaps only a failure in comparison to its unrealized potential. The whole way home I kept thinking, "But it's such a great idea for a movie."
Category: Disclosure–AS
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Mars at Sunrise (Habie, 2014)
Films about Israeli-Palestinian conflicts, while not exactly a dime a dozen in the United States, are enough of a staple of world cinema that upon hearing of a new one the first question is usually not "is it good?" but "does it distinguish itself?"
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God’s Not Dead (Cronk, 2014)
My problems with God's Not Dead are almost all ones of execution, not concept.
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Frozen (Buck and Lee, 2013)
Evaluating Disney films in a DVD era has become a complicated calculus.
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It’s Better to Jump (Angelone, 2013)
It's Better to Jump is one of those films that sounds better in a summary than it ends up being.
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Ender’s Game (Hood, 2013)
I've spent the three days between viewing and reviewing Ender's Game listlessly trying to convince myself that the film didn't suck.
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Escape Plan (Håfström, 2013)
Every good escape plan needs three things:
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Running Wild: The Life of Dayton O. Hyde (Mitchell, 2013)
Running Wild: The Life of Dayton O. Hyde is a new documentary film about (as the title suggests) the eventful life of cowboy Dayton O. Hyde, who describes himself as “a cowboy first, a conservationist second, and a writer third.”
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Don Jon (Gordon-Levitt, 2013)
Kenneth R. Morefield reviews Don Jon at 1More Film Blog.
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The Muslims are Coming! (Farsad & Obeidallah)
When asked if their project assumes that Americans (or Christians) are more intolerant or Islamophbic than anyone else, Obeidallah demurred saying they were not so naive as to believe that “any one religion or group could hold a monopoly on prejudice.”