Moulin Rouge — 10 Years Later (Luhrmann, 2001)
Normally, when I hate a movie, I can, at the very least, see what drew a more positive response from those who liked, even loved it. Then there is Moulin Rouge.
Normally, when I hate a movie, I can, at the very least, see what drew a more positive response from those who liked, even loved it. Then there is Moulin Rouge.
I'm not here complaining about the too pretty alcoholic, like Elizabeth Shue in Leaving Las Vegas, who somehow manages to make you forget how really unpleasant is the experience of trying to remember that someone is made in the image of God after you've once woken up to the smell of their dried vomit.
True, I can't recall two consecutive minutes of the film where I was conscious of enjoying myself, but that doesn't mean I hated it. Really.
Miss Gulag tries hard to balance the story of a beauty pageant in a Siberian prison for females with a broader examination of life in post-Soviet society.
Tune in for a fascinating discussion about the differences between being assertive and being expressive, what makes a "red" thinker successful at taking up a "blue" cause, and how director Nigel Cole answered criticism that the union's victory paved the way for industrial jobs leaving England entirely.
The Grove: A Fight to Remember begins with, pretty much ends with, and is interspersed with tourists in Golden Gate Park looking for the Japanese tea garden.
"Attention is the rarest and purest form of generosity."
Susan Saladoff's Hot Coffee is the documentary that Inside Job tried so hard to be, informative, educational about a complex subject without being reductive, partisan without being propaganda, and, ultimately, persuasive.
Less of an indictment of wind energy companies (though it is that to some degree), Laura Israel's documentary is mostly an affirmation of the democratic process.