U.N. Me (Horowitz and Goff, 2009)
U.N. Me describes scandal after scandal with a relentless dullness and surprisingly glib attitude.
U.N. Me describes scandal after scandal with a relentless dullness and surprisingly glib attitude.
Pink Ribbons, Inc. is really three different documentaries: one that works, one that doesn't, and one that is mildly effective but distracts and detracts from the principle message.
I've often said I would pay to watch Tom Wilkinson or Judi Dench read the phone book. I'm just not sure how I feel about watching them remake The Breakfast Club.
I listed Minority Report as my #1 film of 2002, and ten years later the thing I find most surprising about that fact is how brave I felt and counter-cultural I thought I was being.
I'm not saying Chicago was cursed, but it is really strange to watch the film in retrospect and think that the person who was about to have arguably the most interesting decade was Dominic West, the closest thing to a lead in the best television series of the decade--and arguably of all time: The Wire.
I have been busy podcasting over at Film Geek Radio. New episodes include discussions with Todd C. Truffin about Blue Like Jazz, Primary Colors, and Love Free or Die.
From an audience perspective--at least from my perspective--the initial response is a bit of shock at the baldness of it all, followed by anger and indignation, followed by frustration at how quickly the anger passes into fatalistic acceptance.
"Make your own work."
Admittedly, my two favorite moments in Bess Kargman's First Position happened when nobody was dancing.
Not just one of the best documentaries at the Full Frame Documentary Film Festival, Lauren Greenfield’s The Queen of Versailles deserves to be in the conversation as one of the best films of 2012.