Pandora’s Promise (Stone, 2013)
Freedom of the press means that, paradoxically, Americans are woefully misinformed about any number of issues.
Freedom of the press means that, paradoxically, Americans are woefully misinformed about any number of issues.
The Truth About Emanuel is one of those films that reveals its twist about a third of the way through. In most such films, this act is a signal that the film isn't really about the twist.
One is reluctant in a public review to say just how deeply one loathed August: Osage County.
For most readers who are not evangelical Christians (and for many of us who are), the representation of reality in the Left Behind series can come across as oddly distorted.
Given its subject matter, Lovelace could be forgiven for being shocking or harrowing itself...if it were. It could be forgiven for being a lot of things--contentious, outrageous, depressing, infuriating. But given its source material, here's the one thing I couldn't forgive it for being: gutless.
The past twelve months have been filled with great times at the movies for me. For the first time since I started making such lists, I had choices to make not only at the top but also at the bottom.
I happened to see Enough Said the day after screening Inside Llewyn Davis. Both films featured caustic--some might say cruel--women verbally abusing the men they once partnered.
Alas, no. No to all of it. No to it being a holiday film, a love film, a romantic film, or a feel good film. No, above all to it being truthful about the world we live in. No to the masses being smarter than the critics. No to some of the best actors of our generation elevating mediocre material. I still can't bring myself to hate this movie, but I do feel sympathy (and yes, if I'm honest, condescension) towards those who embrace it.
While I never quite felt like I was watching a snuff film, I could also never shake the suspicion that I might soon be.