Interview: Patricia Riggen on The 33 and the Challenges of Being a Female Director
"I've been very lucky," Patricia Riggen says when discussing her career as a female director, a profession historically dominated by men.
Author: kenmorefield
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Spectre (Mendes, 2015)
Spectre (★★★) starts strong, overstays its welcome, overshoots its marks, and ends up a big mess. There is enough good here to make it enjoyable, especially if you like these sorts of movies. But the film doesn't quite live up to the the rabid anticipation it seems to have succeeded in building.
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“How Can I Get Screeners?”
Kenneth R. Morefield explains why, no, you cannot borrow his screener.
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Stations of the Cross (Brüggemann, 2015)
Jesus Camp meets Breaking the Waves.
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Sex, Death and Bowling (Walker, 2015)
Adrian Grenier almost always charms in charming movies.
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The Ballet Boys (Elvebakk, 2015)
The Ballet Boys (★★½) doesn’t quite hold our attention as strongly as First Position, but it should nevertheless please its target audience. The film focuses on the high-school experiences of… Continue reading "The Ballet Boys (Elvebakk, 2015)"
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In My Father’s House (Stern and Sundberg, 2015)
"I want my dad in my life, but I grew up with addicts..."
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Sleeping with Other People (Headland, 2015)
I started to write that it took me a week to decide whether or not I liked Sleeping with Other People (★★), Leslye Headland's Millenial riff on When Harry Met Sally, but that wasn't true. It took me a week to accept and come to terms with the fact that I didn't.
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The Walk (Zemeckis, 2015)
I will confess, too, that the last act of The Walk, when Philippe Petit finally executes his tight wire trip between the two towers of the World Trade Center has some swell special effects.
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Boiling Pot (Ashmawey, 2015)
While it is not as accomplished and polished as Do The Right Thing, The Sixth Sense, or Reservoir Dogs--films that announced the arrival of a major new talent--Boiling Pot is certainly good enough to land the Ashmaweys on my "keep an eye out for what they do next" list.