SXSW 2018 — They Live Here, Now
Some to Misery are Born Every Morn and every Night Some are Born to sweet delight Some are Born to sweet delight Some are Born to Endless Night We are… Continue reading "SXSW 2018 — They Live Here, Now"
Some to Misery are Born Every Morn and every Night Some are Born to sweet delight Some are Born to sweet delight Some are Born to Endless Night We are… Continue reading "SXSW 2018 — They Live Here, Now"
What do a dragon's wings sound like?
Wall-E is near the top of the list of films I call "friendship killers."
Michael Gracey’s modern musical loosely based on the life of P.T. Barnum was one of my favorite films of 2017, but it hasn’t exactly been wowing critics. I value films… Continue reading "6 Things I Loved About The Greatest Showman"
Kenneth R. Morefield shares his ten favorite film experiences from 2017.
Cummings's essay is informed and far-reaching but also very accessible -- a quality I admire in the best film criticism. He deals with the influence of Murnau (particularly Sunrise) on the Dardennes and charts the theological foundation for their empathetic, humanistic cinema.
The ghosts of Christmas Carols past cling to The Man Who Invented Christmas making me wonder just how many more movies can be squeezed from this admittedly beloved but well-milked source material.
“I’d like to think I’m a good Christian. I’m trying to be; it’s not easy.”
When we speak of our "favorite" movies, books, or music, repetition is the most common metric to measure our enthusiasm. There is an inescapable (if at times embarrassing) logic to that measurement. If I have watched Zoolander a half dozen times and Army of Shadows only twice, does that not indicate that I like the former more than the latter?