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	<title>1More Film Blog &#187; The Visitor</title>
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		<title>The Visitor (McCarthy, 2008)</title>
		<link>http://1morefilmblog.com/wordpress/the-visitor-mccarthy-2008/</link>
		<comments>http://1morefilmblog.com/wordpress/the-visitor-mccarthy-2008/#comments</comments>
		<pubDate>Sun, 26 Apr 2009 18:25:09 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[2008 Top 10]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Top 10s and Other Lists]]></category>
		<category><![CDATA[Richard Jenkins]]></category>
		<category><![CDATA[The Visitor]]></category>
		<category><![CDATA[Thomas McCarthy]]></category>

		<guid isPermaLink="false">http://1morefilmblog.com/wordpress/?p=392</guid>
		<description><![CDATA[The first thirty-five or forty minutes or so of Thomas McCarthy's <em>The Visitor</em> is just sublime. It is measured. It reveals itself gradually. It is anchored by a sad and beautiful performance by Richard Jenkins. It's leisurely. It doesn't try too hard to be about anything.]]></description>
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		<title>2008 Top Ten</title>
		<link>http://1morefilmblog.com/wordpress/2008-top-ten/</link>
		<comments>http://1morefilmblog.com/wordpress/2008-top-ten/#comments</comments>
		<pubDate>Sun, 26 Apr 2009 20:12:39 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[2008 Top 10]]></category>
		<category><![CDATA[Top 10s and Other Lists]]></category>
		<category><![CDATA[At the Death House Door]]></category>
		<category><![CDATA[At the Edge of the World]]></category>
		<category><![CDATA[Forgetting Sarah Marshall]]></category>
		<category><![CDATA[Happy-Go-Lucky]]></category>
		<category><![CDATA[Lorna's Silence]]></category>
		<category><![CDATA[Seraphine]]></category>
		<category><![CDATA[Still Walking]]></category>
		<category><![CDATA[The Visitor]]></category>
		<category><![CDATA[Three Monkeys]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>

		<guid isPermaLink="false">http://1morefilmblog.com/wordpress/?p=349</guid>
		<description><![CDATA[The creation, dissemination, and response to such lists have become marked by pettiness, pomposity, and preening—at least in the film blogosphere, which has become filled with these attitudes in general. I think the two standard tracks are to pick obscure films to validate how avant garde one is or two pick mainstream films to prove how one is not afraid to be labeled bourgeois by the effete and ineffectual critical consensus.]]></description>
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