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	<title>1More Film Blog &#187; Still Walking</title>
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		<title>Still Walking Trailer (Koreeda, 2008)</title>
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		<pubDate>Sat, 01 Aug 2009 19:08:47 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[Hirokazu Koreeda]]></category>
		<category><![CDATA[Still Walking]]></category>

		<guid isPermaLink="false">http://1morefilmblog.com/wordpress/?p=1192</guid>
		<description><![CDATA[]]></description>
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		<title>Still Walking (Koreeda, 2008)</title>
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		<pubDate>Sun, 26 Apr 2009 22:37:34 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[2008 Top 10]]></category>
		<category><![CDATA[Elsewhere]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Top 10s and Other Lists]]></category>
		<category><![CDATA[Hirokazu Koreeda]]></category>
		<category><![CDATA[Still Walking]]></category>

		<guid isPermaLink="false">http://1morefilmblog.com/wordpress/?p=426</guid>
		<description><![CDATA[What is surprising--and delightful--about the film is how clear-eyed the portrait of the family is even when the setting for it is a situation that would normally invite excessive sentimentality. Bittersweet is one of the hardest tones to capture, perhaps because we are so cynical that we tend to assume instinctively that it is parody. Koreeda reminds us that emotions that we too often mock (because we find them embarassing or painful) are real and, often, beautiful.]]></description>
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		<title>2008 Top Ten</title>
		<link>http://1morefilmblog.com/wordpress/2008-top-ten/</link>
		<comments>http://1morefilmblog.com/wordpress/2008-top-ten/#comments</comments>
		<pubDate>Sun, 26 Apr 2009 20:12:39 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[2008 Top 10]]></category>
		<category><![CDATA[Top 10s and Other Lists]]></category>
		<category><![CDATA[At the Death House Door]]></category>
		<category><![CDATA[At the Edge of the World]]></category>
		<category><![CDATA[Forgetting Sarah Marshall]]></category>
		<category><![CDATA[Happy-Go-Lucky]]></category>
		<category><![CDATA[Lorna's Silence]]></category>
		<category><![CDATA[Seraphine]]></category>
		<category><![CDATA[Still Walking]]></category>
		<category><![CDATA[The Visitor]]></category>
		<category><![CDATA[Three Monkeys]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>

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		<description><![CDATA[The creation, dissemination, and response to such lists have become marked by pettiness, pomposity, and preening—at least in the film blogosphere, which has become filled with these attitudes in general. I think the two standard tracks are to pick obscure films to validate how avant garde one is or two pick mainstream films to prove how one is not afraid to be labeled bourgeois by the effete and ineffectual critical consensus.]]></description>
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