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	<title>1More Film Blog &#187; Steve James</title>
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		<title>At the Death House Door (Gilbert and James, 2008)</title>
		<link>http://1morefilmblog.com/wordpress/at-the-death-house-door-gilbert-and-james-2008/</link>
		<comments>http://1morefilmblog.com/wordpress/at-the-death-house-door-gilbert-and-james-2008/#comments</comments>
		<pubDate>Sun, 26 Apr 2009 22:45:26 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[2008 Top 10]]></category>
		<category><![CDATA[Elsewhere]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Top 10s and Other Lists]]></category>
		<category><![CDATA[At the Death House Door]]></category>
		<category><![CDATA[Carroll Pickett]]></category>
		<category><![CDATA[Peter Gilbert]]></category>
		<category><![CDATA[Steve James]]></category>

		<guid isPermaLink="false">http://1morefilmblog.com/wordpress/?p=431</guid>
		<description><![CDATA[I have read some responses to film that dismiss as (and for) being too politically slanted. Maybe, but as with <em>Hoop Dreams</em> and Stevie, Gilbert and James are interested, first and foremost, in people. The film reflects the beliefs of the people in it.]]></description>
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		<title>Documentary Film and the Power of Empathy</title>
		<link>http://1morefilmblog.com/wordpress/documentary-film-and-the-power-of-empathy/</link>
		<comments>http://1morefilmblog.com/wordpress/documentary-film-and-the-power-of-empathy/#comments</comments>
		<pubDate>Sat, 18 Apr 2009 22:35:36 +0000</pubDate>
		<dc:creator>Kenneth R. Morefield</dc:creator>
				<category><![CDATA[2008 Favorite Discoveries]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Top 10s and Other Lists]]></category>
		<category><![CDATA[Barbara Kopple]]></category>
		<category><![CDATA[Fallen Champ: The Untold Story of Mike Tyson]]></category>
		<category><![CDATA[Full Frame Documentary Film Festival]]></category>
		<category><![CDATA[Nahid Persson]]></category>
		<category><![CDATA[Steve James]]></category>
		<category><![CDATA[The Queen and I]]></category>

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		<description><![CDATA[The films at this year's Full Frame Documentary Film Festival were varied in their subject matter. There were advocates of weather modification, a history of the American-Indian Movement,  and a portrait of the exiled queen of Iran. We saw Jews in the city of Thessaloniki, troop greeters in the city of Bangor, advertising executives on Madison avenue, and Christian prison administrators in Argentina. There was a reporter in Africa trying to get us to remember Darfur and a father in America who was either trying to remember anything or forget everything. There was a blind couple using music to communicate love, a deaf boy at the center of a very loud controversy, and a horde of mute Japanese-American detainees whose only voice was a stranger's camera. Oh, and there was Superman--turns out he's Muslim and he lives in India.]]></description>
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