Articles tagged with: At the Death House Door
I have read some responses to film that dismiss as (and for) being too politically slanted. Maybe, but as with Hoop Dreams and Stevie, Gilbert and James are interested, first and foremost, in people. The film reflects the beliefs of the people in it.
The creation, dissemination, and response to such lists have become marked by pettiness, pomposity, and preening—at least in the film blogosphere, which has become filled with these attitudes in general. I think the two standard tracks are to pick obscure films to validate how avant garde one is or two pick mainstream films to prove how one is not afraid to be labeled bourgeois by the effete and ineffectual critical consensus.