Articles tagged with: 2008 Top 10
What is surprising–and delightful–about the film is how clear-eyed the portrait of the family is even when the setting for it is a situation that would normally invite excessive sentimentality. Bittersweet is one of the hardest tones to capture, perhaps because we are so cynical that we tend to assume instinctively that it is parody. Koreeda reminds us that emotions that we too often mock (because we find them embarassing or painful) are real and, often, beautiful.
Great art doesn’t always have to have its origin in huge ideas or projects of great scope. Minute observation of everyday life will always turn over questions of great significance, because we are all faced with and live through such questions. Wendy and Lucy is about a girl and her dog.
You either laugh or you don’t. And I found the puppet Dracula musical funny. I found Russell Brand very, very funny. I found Jason Segel alternately sad and funny. Mila Kunis puts the movie over the top with a wonderfully real and self-assured performance.
The first thirty-five or forty minutes or so of Thomas McCarthy’s The Visitor is just sublime. It is measured. It reveals itself gradually. It is anchored by a sad and beautiful performance by Richard Jenkins. It’s leisurely. It doesn’t try too hard to be about anything.
Nuri Bilge Ceylan’s Three Monkeys was one of my Top 10 of 2008. It is streaming for free at The Auteurs on Sunday, April 26, 2009.
And here is a link to my review at Looking Closer Journal.
I can immediately think of two primary types of artist biopics. The first is largely dependent on dramatic irony. You know (and really, the film knows) that Will is going to grow up to be Shakespeare or Ms. Austen is going to become Jane, and so every event is infused with significance. These films appeal to the vanity of the informed viewer. (I’m not saying that is all they do or that they are all necessarily bad for doing so.) Because I know who John Webster is, I take delight in the joke that is unexplained. Because I’m familiar with the plays or paintings or novels, I am instinctively a half second ahead of the reveal and feel smart. And make no mistake, people who watch movies like to feel smart; even if they know they are being pandered to on some levels.

