A few years ago I wrote in a review that in an age of fatwahs and culture wars, I was reluctant to the point of refusal to use the word “immoral” when describing a film. …
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You should know the resulting film is one where the titular Basterds are not the focus, where two-thirds of the film is subtitled French and German, and where nearly all the scant action scenes already appeared in the trailers. But misleading trailers aside, the resulting film left me stunned. This movie is going to make some people angry and shocked, but Tarantino succeeds in making the movie I never imagined, but maybe actually always wanted. It’s an audacious, dizzying, beautiful cinematic fever dream.
Originally delivered as an address to the Midwest Conference on Language, Literature and Media (MCLLM) in DeKalb, Illinois. 2 April 2005.
The main reason I’m posting about the show, however, is that noted scholar and Buffy enthusiast Elizabeth Rambo has begun a blog project rewatching the show and blogging individual episodes at The Painful Nowning Process. Dr. Rambo is one of the co-editors of Buffy Goes Dark, and she brings a broad foundation of literary knowledge and cultural insight into her writing. If you’ve ever wanted to try out the show or think more deeply about quality television, consider this a master class with an individual tutor and–here’s the best part–no tuition!
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The following screeners or books are available for those willing to …
The 4:00 p.m. Sunday matinee of Julie & Julia was the most crowded non-festival theater screening I’ve seen since probably The Dark Knight. Add to that the fact that the four ticket buyers immediately in …