<em>Takers</em> (Luessenhop, 2010)
August 27, 2010 – 12:01 am | No Comment

Takers is a small but pleasant surprise, an efficient late-summer action-heist film with a tight script and solid performances from an amiable ensemble cast. If it invites but doesn’t quite earn comparisons to Michael Mann’s …

Read the full story »
Discussion

Links to discussions of note at the http://www.cinevox.org.

Film Festivals

News and reviews from film festivals.

Podcasts

Discussion, interviews, and reviews in MP3 format. Also available on Itunes.

Reviews

Reviews of new films, dvd releases, film related books, and classic films of note.

Top 10s and Other Lists

Top 10, Favorite Discoveries, and Other Lists

Love in the Afternoon (Rohmer, 1972)
May 4, 2009 – 8:00 pm | No Comment
<em>Love in the Afternoon</em> (Rohmer, 1972)

The Criterion DVD had an interview with Neil Labute talking about how Rohmer influenced him, but I confess that towards the end of Love in the Afternoon, the film I kept thinking about was Kubrick’s Eyes Wide Shut.

Taxi to the Dark Side (Gibney, 2007)
May 3, 2009 – 11:52 am | No Comment
<em>Taxi to the Dark Side</em> (Gibney, 2007)

A well deserved Academy Award (for best documentary) went to Gibney’s investigation into the policies and practices that created the Abu Ghraib scandal. Eschewing sensationalistic tactics and avoiding an over-reliance on the photos themselves (which …

Julius Caesar (Houseman, 1954)
May 2, 2009 – 9:36 pm | No Comment
<em>Julius Caesar</em> (Houseman, 1954)

Question: What do the following actors have in common?: Jack Lemmon, Billy Crystal, Keanu Reeves, Nathan Lane, Robin Williams, Alicia Silverstone.

Answer: They were all exposed trying to do Shakespeare.

Lars and the Real Girl (Gillespie, 2007)
May 2, 2009 – 1:07 pm | 2 Comments
<em>Lars and the Real Girl</em> (Gillespie, 2007)

Lars and the Real Girl is a sweet film that gets a lot of emotional mileage out of showing people being kind. It is a film in which people are loving for no other reason than they can be and where they choose to be compassionate rather than cruel because doing the former seldom costs more than the latter.

The Big Shot Caller (Rhein, 2009)
May 1, 2009 – 6:47 pm | No Comment
<em>The Big Shot Caller</em> (Rhein, 2009)

It seems appropriate that I saw The Big Shot Caller the same weekend I watched the NFL draft. It used to be that evaluating talent–in art or film–was about the person or work that was …

Lust, Caution (Lee, 2007)
April 30, 2009 – 10:31 pm | No Comment
<em>Lust, Caution</em> (Lee, 2007)

What makes the film’s ending so sad and tragic is that I’m not sure that the characters themselves know. One can only spend so much time trying to keep truth hidden before one begins to lose the ability to recognize what it is.